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Directed by a young auteur whose first and only other feature The Myth of the American Sleepover (2010) was somewhat strangely a coming-of-age post-mumblecore dramedy about the Fremdscham-inducing awkwardness of youthful love and romance, Mitchell’s second feature has a number of obvious classic horror influences ranging from John Carpenter’s Halloween (1978) to the various Invasion of the Body Snatchers flicks to Sidney J.
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Indeed, naturally I eventually took the opportunity to watch Tomas Alfredson's Låt den rätte komma in (2008) aka Let the Right One In and Matt Reeves' somewhat pointless yet not all that bad English-language remake Let Me In (2010), Adam Wingard’s You’re Next (2012) and covertly slasher-conscious genre-bender The Guest (2014), and Jonathan Glazer’s Under the Skin (2013), among various other less notable works, when I heard these films were worthy and somewhat original contributions to the seemingly accursed genre, but none of these films quite impressed me as much as the quasi-arthouse-ish supernatural horror flick It Follows (2014) directed by virtual novice filmmaker David Robert Mitchell. At least in a general sense, I have totally given up on my very early childhood love of horror cinema to the point where I do not in any way pay attention to trends within the genre, though that does not mean that I refuse to check out the latest highly praised and critically acclaimed cinematic effort that the genre has to offer, especially if it is noted for being in anyway idiosyncratic and/or artistically merited as it is not often that such films come along in a place like the United States where cinematic art is considered a monetary serious liability.